LATEST

feature film
  • Greaser Reviews Blade Runner 2049

    The greaser's review and analysis of Blade Runner 2049 (2017.)

    Directed by: Denis Villeneuve

    Written by: Hampton Fancher and Michael Green

    Director of Photography: Roger Deakins

    Music by: Benjamin Wallfisch and Hans Zimmer

    I've had complicated thoughts about Blade Runner 2049 since I first saw it at The Arclight in Hollywood when it came out.

    My Citizen Kane is the original Blade Runner from 1982.

    In this review, I discuss why I think the new Blade Runner is a great movie, but also not nearly as good as the original Blade Runner.

    I also discuss the new film's themes, which run the gamut from existential to political, in my estimation.

    I spoil the entire movie, so if you don't want spoilers and the warning at the start of this film doesn't dissuade you, don't watch this.

    Let me know what you think about Blade Runner 2049 and how you think it compares to the original Blade Runner.

    Greaser Reviews Blade Runner 2049

    Written and Produced by Whitney Dinneweth

    FAIR USE is any copying of copyrighted material done for a limited and "transformative" purpose, such as to comment upon, criticize, or parody a copyrighted work.

    My usage of copyrighted clips and sounds are FAIR USE under copyright law.

    This film is not an infringement on copyright.

    An Above the Cut film.

    abovethecutfilms.com

  • Silverlake Reservoir

    Late last year, I had to pick up a second job.

    I moved from San Francisco, where my freelancing business was booming for years, to LA, where it stopped dead in the waters of Silverlake.

    I arrived bright eyed and bushy tailed in Hollywood in 2015. The prodigal son, who left home penniless, without any direction, and returned, by most accounts, with a pretty impressive self-made business under his belt. Some of the biggest possible clients from around the world. Some high-profile projects. Even LinkedIn references, if you were asking for primary sources.

    In 2015, the Silverlake Reservoir had evaporated, and the ensuing barren landscape mirrored my newfound career drought I’d unknowingly walked into.

    I pursued my connections from San Francisco and New York, but they only lasted me a handful of months.

    I tried establishing new ones in Hollywood but I ran into that famous nepotism wall. The one the white walkers always seem to have such a hard time with.

    I tried DTLA but I was too New York for fake-New-York.

    I tried Santa Monica but I was too skeptical of the brash start-ups I figured would collapse before sending me my check.

    I even tried connections in Silverlake but it was all dried up.

    The wall is protecting the privileged of Hollywood from Wildlings: self-made freelancers who are wary of the unions (full disclosure: I’m a member of SAG) and interested in thinking outside the box (or north of the wall, if you will.)

    The wall is real. I left Los Angeles the first time because of it. And when I returned with more optimism than an MMA fighter with a burgeoning (but tenuous) potential movie career, I ran head first into it again like I’d never left.

    In San Francisco, everything clicked into place.

    But I found myself back in Hollywood.

    In the middle of a draught.

    So, after burning myself out taking freelancing jobs I was way overqualified for while being paid what amounted to less than minimum wage by the hour, six to seven days a week, for months at a time (not to mention, being treated like absolute garbage by that other famous Hollywood cliche: unhinged narcissists), I made a decision I never thought I’d make again: I took a customer service job.

    I picked my favorite coffee shop. One that, in an intentionally maudlin gesture, reminded me of San Francisco, and started working, giving up any ideas of continuing my freelancing career.

    A few weeks ago, I resigned at my toxic customer service job.

    I didn’t know what I was going to do. But I knew that anything was better than staying at that job. Even being homeless. I’ve been homeless before. It was in the Bay Area. It happened only a couple years before I started freelancing full time.

    Then, out of nowhere, a friend connected me with someone who offered me a job.

    I was to start the day before my last day at the coffee shop.

    I’m working on a project, without giving away too much, that’s connected to my favorite director, the one who inspired me in 1990 to pursue the art life.

    In 2015 Silverlake was completely barren.

    Now, from Los Feliz, I can see a shimmering surface.