I just released an album of synthwave classics on Bandcamp. If you're a fan of the 80s, Blade Runner, John Carpenter music, retro nostalgia, keyboards and electronic music, check it out! I worked really hard on it and it sounds good in the car. It's $10. I'm also selling Gash Order merch at my store.
I've been fielding questions for years about Above the Cut merch, so I finally decided to open an online store! Here you'll find all sorts of specialty ATC swag to rep the brand in your home and on your person. Enjoy the admiration and enthusiasm you're guaranteed to recieve while rocking Above the Cut brand merchandise! Send me a photo of you with your ATC merch and I'll post it on my Instagram!
A short film inspired by Halloween III.
Instagram : http://www.instagram.com/atcwhitney/
An Above the Cut Film
Featuring Kirsten Boyne & Whitney Dinneweth
Written, Directed & Edited by Whitney Dinneweth
Camera Operators: Whitney Dinneweth & Kirsten Boyne
Music by Gash Order
My review of the unfairly-maligned Halloween III: Season of the Witch.
Instagram : http://www.instagram.com/atcwhitney/
Horror Retro Caps: http://www.instagram.com/horrorretrocaps/
FAIR USE is any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work. My usage of copyrighted clips and sounds are FAIR USE under copyright law. This video is not an infringement on copyright.
Official music video for "Bleed" by post-punk/synthwave/goth act The Dark Season.
A film by Whitney Dinneweth.
Been busy creating music to satisfy the goth/punk/metal/prog weirdo in me. Maybe nobody else likes it. Maybe you'd like it with me. Check the album out on Soundcloud and see for yourself. Probably for fans of King Crimson, the Melvins, Rudimentary Peni and Sonic Youth. Or maybe not.
Second EP by Abraxas Horn, featuring weird experimental rock music with metal and prog influences.
Gtr - ATCWhitney
Bass - ATCWhitney
Drums - ATCWhitney
Keys - ATCWhitney
Vox - ATCWhitney
My neighbor Carlos asked me to take photos of him. He's a musician and is building his online presence, starting with these. He's also Brazilian, so I knew we'd have a spicy old time, and I might get some mate, so I said "yes." We connected on a deep symbiotic level due to our mutual love for and fascination with Alejandro Jodorowski and warlock culture and I think the photos reflect that. Click here.
I started a solo music project.
I'm planning to do nine songs of dark cinematic mood metal.
The Panos Cosmatos film Mandy inspired it. I love that movie.
This is the first track. It's called "VHS."
In the words of David Lynch:
"I'm not a musician, but I love making music."
What is goth? Watch and find out!!!
An Above the Cut Film.
Late last year, I had to pick up a second job.
I moved from San Francisco, where my freelancing business was booming for years, to LA, where it stopped dead in the waters of Silverlake.
I arrived bright eyed and bushy tailed in Hollywood in 2015. The prodigal son, who left home penniless, without any direction, and returned, by most accounts, with a pretty impressive self-made business under his belt. Some of the biggest possible clients from around the world. Some high-profile projects. Even LinkedIn references, if you were asking for primary sources.
In 2015, the Silverlake Reservoir had evaporated, and the ensuing barren landscape mirrored my newfound career drought I’d unknowingly walked into.
I pursued my connections from San Francisco and New York, but they only lasted me a handful of months.
I tried establishing new ones in Hollywood but I ran into that famous nepotism wall. The one the white walkers always seem to have such a hard time with.
I tried DTLA but I was too New York for fake-New-York.
I tried Santa Monica but I was too skeptical of the brash start-ups I figured would collapse before sending me my check.
I even tried connections in Silverlake but it was all dried up.
The wall is protecting the privileged of Hollywood from Wildlings: self-made freelancers who are wary of the unions (full disclosure: I’m a member of SAG) and interested in thinking outside the box (or north of the wall, if you will.)
The wall is real. I left Los Angeles the first time because of it. And when I returned with more optimism than an MMA fighter with a burgeoning (but tenuous) potential movie career, I ran head first into it again like I’d never left.
In San Francisco, everything clicked into place.
But I found myself back in Hollywood.
In the middle of a draught.
So, after burning myself out taking freelancing jobs I was way overqualified for while being paid what amounted to less than minimum wage by the hour, six to seven days a week, for months at a time (not to mention, being treated like absolute garbage by that other famous Hollywood cliche: unhinged narcissists), I made a decision I never thought I’d make again: I took a customer service job.
I picked my favorite coffee shop. One that, in an intentionally maudlin gesture, reminded me of San Francisco, and started working, giving up any ideas of continuing my freelancing career.
A few weeks ago, I resigned at my toxic customer service job.
I didn’t know what I was going to do. But I knew that anything was better than staying at that job. Even being homeless. I’ve been homeless before. It was in the Bay Area. It happened only a couple years before I started freelancing full time.
Then, out of nowhere, a friend connected me with someone who offered me a job.
I was to start the day before my last day at the coffee shop.
I’m working on a project, without giving away too much, that’s connected to my favorite director, the one who inspired me in 1990 to pursue the art life.
In 2015 Silverlake was completely barren.
Now, from Los Feliz, I can see a shimmering surface.